 This week's guest judge is Adrian Miller, ECD of Saatchi & Saatchi Malaysia. Before joining Saatchi's 16 months ago, Miller was ECD of Lowe Kuala Lumpur, a role he took up in 2004. Over the next 2+ years the agency went from strength to strength, fast and furiously becoming one of the top creative agencies in Malaysia as well as in the Lowe network. Miller was appointed to the Lowe Worldwide creative board as a result. He was responsible for producing the 4th most awarded print in the world (according to The Gunn Report) for Land Rover Owner's Club in 2006. For the last 16 months Miller has been the Executive Creative Director of Saatchi & Saatchi Kuala Lumpur where he continues to push the creative envelope on regional accounts like Guinness, Toyota, Lexus and Tiger Beer. Miller has won multiple gold, silver and bronze Lions at Cannes, including a Gold and two Silver and Bronzes this year. He has also won gold at The One Show New York, gold (best of category) at the Media Advertising Awards, gold at London International as well as numerous metals at Clio and Adfest. At the 2007 Kancil Awards, Saatchi & Saatchi Kuala Lumpur was awarded the prestigious title of agency of the year. Also this year he was ranked No.1 creative in Malaysia in the Campaign Brief Asia Rankings.
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 Vedacit is a leading brand in Brazil for waterproofing products, admixtures for concrete, and repair materials. In this film, Energy Brasil shows what an adhesive for mortar and roughcasts called Bianco can do for you. VIEW THE SPOT
 As part of HSBC’s partnership with the 2008 Wimbledon Championships, JWT London commissioned leading British artists Ackroyd & Harvey to produce a unique artwork using the medium of grass. As grass is at the heart of the Wimbledon experience, this piece captures the unique essence of the most famous lawn Tennis tournament in the world. The piece that Ackroyd & Harvey have produced is a fascinating combination of art and science, of past and present. By projecting a black and white negative image onto a patch of grass as it grows (in a dark room) they use natural photosensitive properties of the grass to reproduce photographs – thus using grass as a living photographic medium. From a distance they look like any other monochrome photograph; up close they look like perfectly ordinary grass. Typical exposure time is just over a week, with the image projected for 12 hours a day. For this work, they photographed three people at Wimbledon prior to the tournament, and displayed the resulting grass versions of the photos on three large panels in Merton Park, where the tennis fans have been camping and then queuing for tickets this year. Next to the piece you can read about the three people featured who represent the essence of Wimbledon: Tara Moore, competing in the qualifying tournament; Eddie Seaward, head groundsman at Wimbledon for the last 15 years; and Lizzie May, a coach for the Wimbledon Junior Tennis Initiative. VIEW THE GRASS ART VIEW THE CLOSE UP VIEW THE CLOSE UP
 Fooding, Music, Cinema, Outings, What's on. The urban magazine // Free. It's up to us to tell you what's going on around you. The title plays on the double meaning of "A Nous" which is both the title of the magazine and "Up to you" VIEW THE FIRST AD VIEW THE SECOND AD
 This a bittersweet tale of a boy's homecoming after 15 years lost in the wild, where we see what truly important when you finally make it home. VIEW THE SPOT
 Crispin Porter + Bogusky maximise Domino's Pizza's involvement with the new Batman movie 'The Dark Knight'. The masks at the end are the real McCoy – from the Joker’s Henchmen. VIEW THE SPOT
 An invitation from a friend that you can't refuse is the basis of this spot from Grey New York and Smuggler. VIEW THE SPOT
 CSBP approached Marketforce to create a radio campaign that encouraged farmers to utilise their plant analysis service. PLAY THE CAMPAIGN OF 3 SPOTS
 Strategic agency The Hallway and creative agency Happy Soldiers have released a new national campaign for online travel company Zuji. They positioned Zuji as a company that is ‘Helping holidays happen’ and they wanted to prove it. They decided to make everyday products and sell them at a very low price. By saving money on an everyday item, people could save more money for a holiday. To start, they made Zuji baked beans and sold them for just 10c a can. They opened Zuji Bean Shops in Australia’s major cities and set up Zuji Beans stalls all around the country, just selling Zuji Beans. The rest of the communication consisted of print, outdoor, radio, DM and online ads to let people know about it. VIEW THE AD
 Many Toppings has floated down on his magical umbrella to speak about the joys of generosity. In a Many-like way he has persuaded Domino’s staff to double the pizza toppings and go right to edge. He has called this creation The Double up to the Edge and points out that a spoonful of pepperoni helps the pizza do down. This spot from The Campaign Palace Sydney follows on from Techno Chicken which is still growing on You Tube. http://www.youtube.com/watch?v=OvZrhdy2UdY VIEW THE SPOT
 From the people who found a way for you to hold hot meat at lunch, Four'N Twenty now proudly brings you one of their crowning achievements - the Four'N Twenty MAGIC SALAD PLATE™. Research has practically proven that salad can’t fill the seriously hungry stomach, so why waste time trying? Simply place your Four’n Twenty pie in the area provided on the Four’N Twenty MAGIC SALAD PLATE™ and suddenly with no effort at all, it looks like you’re having salad as well. Now you don’t need to cave in to the pressure that some people (like the ladies) put on you to eat salad - and all while still looking like you totally have. A new campaign via Clemenger BBDO, Melbourne. Visit magicsaladplate.com.au today for more details. VIEW THE SPOT
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CB/Bestads Rankings for 2008
The Campaign Brief/BestAds Top Ranked Agencies Worldwide (based on work selected for Week's Best during 2008) as at Jul 5, 2008.
Click here more more rankings.
Saatchi & Saatchi
|
16  |
| BBDO New York
|
13  |
| JWT Sydney
|
11  |
TBWA\Hunt\Lascaris,
|
9  |
Colenso BBDO,
|
8  |
| DDB London
|
8  |
| DDB New Zealand
|
8  |
Goodby Silverstein
|
8  |
| BBH London
|
6  |
| DDB South Africa
|
6  |
| BBDO Bangkok
|
5  |
| DDB Sydney
|
5  |
Euro RSCG
|
5  |
| JWT London
|
5  |
| Ogilvy Cape Town
|
5  |
Saatchi & Saatchi,
|
5  |
| Almap BBDO São
|
4  |
| BMF, Sydney
|
4  |
Callegari Berville
|
4  |
Clemenger BBDO,
|
4  |
Clemenger BBDO,
|
4  |
| CLM BBDO, Paris
|
4  |
Creative Juice\G1,
|
4  |
| Grey Melbourne
|
4  |
| Johannes Leonardo
|
4  |
Jung von Matt/Elbe,
|
4  |
| Mother, London
|
4  |
Publicis Mojo,
|
4  |
| RKCR/Y&R London
|
4  |
Saatchi & Saatchi
|
4  |
TBWA\Chiat\Day, New
|
4  |
72andSunny, Los
|
3  |
| BBDO Mexico
|
3  |
| DDB Paris
|
3  |
| Fallon London
|
3  |
| King James, Cape
|
3  |
Leo Burnett
|
3  |
Leo Burnett,
|
3  |
| Lowe Bangkok
|
3  |
| Lowe Bull, Cape
|
3  |
| Marketforce, Perth
|
3  |
NeogamaBBH, Sao
|
3  |
Ogilvy & Mather,
|
3  |
Ogilvy & Mather,
|
3  |
| Publicis QMP,
|
3  |
| RazorJunior Sydney
|
3  |
Saatchi & Saatchi
|
3  |
Saatchi & Saatchi,
|
3  |
Saatchi & Saatchi,
|
3  |
| 303 Perth
|
2  |
| Ad Planet Group
|
2  |
| AMV BBDO London
|
2  |
Arnold Worldwide
|
2  |
Bartle Bogle
|
2  |
blackbeltmonkey,
|
2  |
CHI&Partners,
|
2  |
CumminsNitro,
|
|