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Code Like A Girl: Losing Lena


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There's a secret hidden in almost every website and every digital image you've ever seen. That secret is Lena, a Playboy centrefold. She is "a face more studied than the Mona Lisa's" and has been called Tech's Original Sin. But how did a centrefold from the '70s become the most used test image in the world? And what impact has it had on women studying or entering tech industries? Introducing Losing Lena, a new film and campaign developed for Creatable & Code Like a Girl by Clemenger BBDO Sydney, FINCH, Facebook and Kamber, that asks us to help remove one image to make millions of women feel welcome in tech. Lena’s story began in 1972, when the Swedish model posed as the Miss November centrefold. The next year, her centrefold was chosen by some men at the University of Southern California (USC) as an ideal test image for the algorithms they were working on to turn physical photos into digital bits. This research laid the groundwork for what would later become the jpeg, an image standard that revolutionised our digital world. Incredibly, 46 years on, Lena is still the most infamous test image in the world. She is symbolic of how women were left out, and pushed out, of the industry. Losing Lena is a compelling documentary that questions the very tenets of the tech industry and leaves us pondering: Why wasn’t Lena retired years ago? It explores a thread that binds together so many similar challenges and biases women in tech have experienced around the world. In a first for the Australian film industry and Facebook Watch, Losing Lena will be available to view at a series of events hosted by Code Like a Girl or exclusively on the Facebook Watch platform from November 26 onwards. In addition to the film, a campaign has been launched that calls on members of the tech industry, businesses, universities and organisations to commit to Losing Lena at www.losinglena.com, as well as find substitute images that can be used for image processing testing.
Credits Other credits

FOUNDER & CEO: ALLY WATSON

CHIEF MARKETING OFFICER: JOSEPHINE COLSON

CO-FOUNDER: GREG ATTWELLS

HEAD OF CREATIVE TECHNOLOGY: BRENDAN FORSTER

HEAD OF CRAFT: DANIEL MORTENSEN

DIGITAL DESIGN LEAD: IVAN SO

SENIOR DIGITAL DESIGNER/DEVELOPER: JAY YOUNG

FRONT END DEVELOPER: DALE EMROSE

HEAD OF INTEGRATED PRODUCTION: DENISE MCKEON

INTERACTIVE EXECUTIVE PRODUCER: CLAIRE BISSET

CEO: NICK GARRETT

GROUP ACCOUNT DIRECTOR: CATH BOSSON

SENIOR ACCOUNT DIRECTOR: SMARAN JWORCHAN

COMMUNICATIONS PLANNER: REBECCA DE BEER

EDITOR: JOE MAURICI

EDITOR: ALEX GUTERRES

EDITOR: EMILY CORNELIUS

ONLINE EDITOR: JESS MORGAN

SOUND ENGINEER: ROBBIE BALATINCZ

KRIS ROWE – EDITOR

MEDIA PARTNER AND FILM DISTRIBUTION: FACEBOOK

ANDY BLOOD – CREATIVE STRATEGIST, FACEBOOK CREATIVE SHOP

KAREN MAURICE-O’LEARY – CREATIVE STRATEGIST, FACEBOOK CREATIVE SHOP

DIGITAL AND BOT DEVELOPMENT: KAMBER

JONATHON BINK – BOT UX DESIGN & PRODUCTION

REBECCAH CHURCHWARD – PRODUCER

TECH PLATFORM: THE BOT PLATFORM

SYD LAWRENCE – CEO & CO-FOUNDER

PR (AUSTRALIA): CLEMENGER PR

NICK ZONNIOS – HEAD OF CLEMENGER PR

SOPHIE TRUTER – SENIOR ACCOUNT MANAGER

GEORGIA RANDALL – PR & SOCIAL COORDINATOR

PR (USA): PORTER NOVELLI

STRAHAN WALLIS – PROJECT LEAD, MANAGING DIRECTOR, PORTER NOVELLI LA

SARAH LEWIS – PROJECT LEAD, ACCOUNT MANAGER, DIVERSITY & INCLUSION CHAMPION, PORTER NOVELLI LA

KYLIE BANKS – MEDIA RELATIONS LEAD, ACCOUNT SUPERVISOR, PORTER NOVELLI LA

ROSIE DE QUELJOE – MEDIA RELATIONS CO-LEAD, SENIOR ACCOUNT EXECUTIVE, PORTER NOVELLI LA

SARAH VASQUEZ – ACCOUNT EXECUTIVE, PORTER NOVELLI LA

GLADYS CARDENAS – ASSISTANT ACCOUNT EXECUTIVE, PORTER NOVELLI LA

MIRNA GORGY – ACCOUNT COORDINATOR, PORTER NOVELLI LA

HEIDI DEHART – ACCOUNT EXECUTIVE, PORTER NOVELLI SEATTLE

CAROLINE REGAN – ACCOUNT MANAGER, CONE COMMUNICATIONS (A PORTER NOVELLI COMPANY).

SANDY SKEES, US PANEL MODERATOR, GLOBAL LEAD OF INNOVATION & IMPACT PRACTICE, PORTER NOVELLI SF

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